Introduction to Business Essay Example | Topics and Well Written Essays - 500 words - 4

Introduction to Business - Essay Example In addition, the increase of female employees has illustrated this as it has been seen to increase sales to female customers raising their bottom line, and creating a family like environment where every employee is appreciated hence more work done. The Lorraine motel, which is now a National Civil Rights Museum, is located in Memphis and picked by best buy in conducting training to its employees. Moreover, the motel being where Dr. Martin Luther King, who was a great fighter for black human and civil rights in America was assassinated, makes it an ideal location for training racial diversity employees. Therefore, Best Buy employs immersion techniques here to enable employees understand the importance of cultural and racial diversity as presented in Memphis. The Memphis environment is ideal in giving managers and employees some of the following: first, managers and employees should understand better the struggles for civil rights and generate respect for individuals of different races in the workplace and customers. Another effect is that it helps employees generate and appreciate cultural diversity among the different races in the world. In addition, this appreciation enables them to understand each other and be aware of how d ifferent races cultures perform in work environment hence appreciate it. Therefore, the trip also highlights the need for equality among different races and that no employee is greater than the other in the workplace. A diverse workforce in racial and gender senses has been analyzed to have positive effects on a company’s bottom line in the following manner. First, race and gender diversity caters for customer of all races and gender, hence customers are able to get more personalized services from racially and gender diverse employees who understand them, enhancing their shopping experiences encouraging more sales and consumer loyalty. Moreover, diverse gender in

The prediction about the future impact on current low oil price Essay

The prediction about the future impact on current low oil price - Essay Example Oil prices have slumped almost by 50% ever since the last summer resulting from the longest running slump for twenty years. This is mainly because, the United States shale oil, and to a smaller degree the return of the Libyan oil to the market, has increased supply but a slowdown in the European Union and China economies has abridged demand (Richard Anderson Business reporter, 1). With the thriving United States shale industry indicating minimal signs of decelerating, there are good explanations to predict that the current fall in the price of oil will carry on for some time. This fall indicates that the debt bubble that has been holding the global economy for quite a very long time ever since the World War II is failing to increase significantly. If the debt bubble slumps, then we will be in a big problem (Tverberg).According to the author, OPEC, the cartel of chief global oil producers, has at many times being stepping in to stabilize the prices by cutting production. However, this time round OPEC said that it was not willing to do so even if the oil slumped to $20 a barrel. Without OPEC inventively backing up the oil price, and with possibly weaker demand owing to the slow economic progress, the oil prices are expected to stay at below $100 for ages to come. The future markets indicate the prices will recuperate slowly to reach about $70 by 2019, although numerous experts predict a range of $40-$80 for the subsequent few years and those at higher risks are the ones progressing hard to gain access.

Drama Essays West End Production

Drama Essays West End Production In the West End production of The Woman in Black, assess the skills of the two male performers when performing their role(s). Essay Outline: ‘As Alfred Hitchcock noted, suspense and atmosphere are more potent than scary events themselves’ Part 1 Introduction Introduction: ‘The Woman in Black,’ West end mainstay and classic enjoyed by many people since 1989, is a remarkable adaptation of a superb horror novel. Stripped down to a minimal cast by the impressive Stephen Mallatrat who has fitted a cunning theatrical frame around it, the play, which has seen many different duos taking the roles involved in the drama and ‘always bringing something new to it’ , is still to this day a massive hit. Undoubtedly talented, the two actors on stage, Brian Miller and William Rycroft, handled their varied roles superbly and brought the tension and terror inherent in the adaptation forth, using the limited props, large amount of space and excellent writing, to scare the audience witless.     Ã‚  Ã‚   Part 2 – Physical appearance and specific actor traits Physical and vocal qualities – Vital in creating the characters and expressing the different contexts of the change within the play, in a wonderfully orotund, flamboyant and self confident way, Rycroft educates the storyteller in the ways of theatre and the techniques of acting. Coaching the older ‘Kipps,’ clearly portrayed as a less confident and able man, his magnificent vocal expressions display him as the stereotypical Victorian actor. Especially with a two man cast, it is vital that the ranges of vocal abilities in the two men are expressive and changeable, and there is no doubt that through the different characters portrayed this is in evidence. Range of facial expressions and other actor skills– Perhaps the most dynamic and vivid use of a facial expression for me, was Rycroft’s reaction to the final twist in which he is asked about providing the ‘woman in black’ as part of the performance. Twisting in horror, his abject terror contrasts beautifully with the perceived ‘pale, wasted face and expression of desperate, yearning malevolence’ of the woman in black. Elsewhere throughout the play, his confident, expressive features work well in expressing the slightly woebegone look of Kipps, the actor who has slipped a little too far into the horrors of his past but still manages to become more adept at ‘performing’ throughout the play. From the self conscious, withdrawn character at the opening, through to his improved attempt at reading Shakespeare and finally onto his ability to switch characters, his facial expressions, and indeed whole character, seems to evolve. Creation of emotion – In a ‘two hand’ minimalist play, creating base, thrusting emotions within the hearts and minds of the audience is vital in place of spectacular effects, impressive sets or big choral numbers. Indeed, the raw fear and suspense (as well as dark humour) produced by the two actors is extremely well done. Using many of the devices discussed within this essay, and manipulating the vulnerability of the stark setting, they are able to, and carry off a wide range and evolving set of personal movements, expressions and speeches. Coupled with this, the fact that there are only two of them, makes their dialogues, and emotion fuelled actions, paramount to the audience’s concentration span, as they focus on these two purveyors of this simple, chilling and edgy tale. Part 3: Interaction Rapport with audience and response/ Use of Black Comedy – Again, I was very impressed with the skills of the two actors in terms of their ideas of audience participation. From the moment that Rycroft came striding up the aisle of the theatre talking about the need to really make the morbid tale ‘live in performance to an audience of family and friends,’ one immediately felt a part of this close knit group. It was as if he was striving to please and perform admirably directly for the benefit of the audience in the theatre itself, and lift the moribund tale for our immediate benefit. The occasional smattering of black comedy in this piece is also beautifully dealt with, Rycroft’s cool delivery of amusing lines giving the audience an element of relief to hold onto, before the actors deliver them once more into the unfurling horror. Interaction with other performers – The use of the two narrators within the performance allows an additional dimension to be added to the play, with the very process of storytelling and its purpose being investigated, as well as the chilling tale itself. Rycroft is magnificent in portraying the vessel, for which Miller (as Kipps) can relay his tale, and the heated discussions between the two talented performers split the mind away from the horrors somewhat, to concentrate on the issue of truth within a story that may be lost to the ideas of excitement within storytelling. Rycroft is also effective in moulding his reaction subtly differently to each of the different characters that Miller plays, making sure that the changing of characters does not seem stilted. Part 4 Setting Costume – The use of varied costume between the two actors, offers an almost surreal twist to the play, and while Miller is spectacular in manipulating his acting talents to drift between his roles, the occasional modern costume mixed with Victorian imagery does a lot to distort the mind of the already shaky audience. Less really does mean more in this production, and the fact that a mere change of coat can transport the two actors into entirely different roles, speaks volumes of the performances of the two men and the level of versatile performance required to suitably mix up their acting characters. Space – The key to this play, and inspiration for much of the horror generated by the stark atmosphere, is the power of immense space that setting the adaptation inside an empty Victorian theatre conveys. The feeling of spiritual goings on outside the main two characters is paramount, and Miller and Rycroft are able to exist all over the theatre, bringing the realism and terror to life within a large, empty setting. They have room to build their characters and through use of facial expressions and extravagant posture, utilize it widely. Part 5 – Interpretation of the on stage atmosphere Directorial interpretation of play – Mr Mallatratt adds ‘deliberate environmental anachronisms’ so claimed the Times review in 1989, and so it seems, much to the mystical improvement of the production. Set in a Victorian theatre, yet at no particular, specified time, modern touches (such as electric torches and sound effects) are used, allowing the audience to become uneasy with the setting and allowing the actors to spread their story in a setting that cannot be entirely tied down to anything specific within the mind. Form and production aims/ Sensitivity to style – Apparently, the original aim in performing ‘The Woman in Black’ with only two authors was to save money, and while a magnificent job has been done to use minimal output to produce such a thriller, one cannot help to wonder how a big budget production may handle this play. Mallatrat himself admits that ‘there are scenes he would have loved to have included but simply couldn’t,’ but I feel the actors have taken on board the necessity to make this appear a ‘classic ghost story’ and have taken the necessary steps to provide the exuberant and expressive performances within the stark setting that are required. Part 6 – Conclusion and Bibliography – The Woman in Black is undoubtedly a very tense and exciting script reaped from a ‘classic style’ horror tale in the vein of Henry James, and requires two excellent actors to take on the roles, engage an entire audience with their characters internal struggles, and essentially build up a horrific tale and ghostly presence. In my opinion, Miller and Rycroft both performed excellently using a wide variety of styles, stage devices and a mixture of expression and clever use of scenery, stage play and setting to grip the audience into what is a very compelling tale. Of course, with a story so moreish, it could be claimed that their jobs were easier than those of someone acting out a more complex and ‘slow’ narrative, but the fact they were able to mould their acting techniques to fit the changing of characters, lack of physical prop stimulus and slightly eclectic timeframe of the events taking place, shows the p resence of great skill. I am only interested to see how the next two actors can deal with the roles!  Ã‚     Ã‚  Ã‚   http://www.cix.co.uk/~shutters/reviews/00191.htm Review of former actors http://www.londontheatre.co.uk/londontheatre/reviews/womaninblack.htm Reviews of The Woman in Black performed by other actors http://www.thewomaninblack.com/pdf/wib_pack.pdf Interview with Susan Hill describing her reaction to the on stage version Irving Wardled, The Times, January 1989 Susan Hill The Woman in Black (Vintage: 1998) http://www.susan-hill.com/pages/books/the_books/the_woman_in_black.htm Interview with Susan Hill

William Bradford :: essays research papers

"If a tree falls but no one is there to see it, does it really fall?" This quote explains the very logic of history. Throughout the course of history, many significant occurrences have shaped our society to what it is today: free. William Bradford not only lived through a symbolic historical cornerstone of America, but wrote about it too. William Bradford, the second governor of Plymouth colony elected, was accountable for the young colony’s success through great hardships. The Pilgrims were signified as complete abdicates from the Church of England. The success of the Plymouth was based on covenantalism - the belief that men could form compacts or covenants in the sight of God as a basis for government without the consent of a higher authority. According to Bradford’s exposé, the Pilgrims: shook off this yoke of antichristian bondage, and as the Lord's free people joined themselves (by a covenant of the Lord) into a church estate, in the fellowship of the gospel, to walk in all His ways made known, or to be made known unto them, according to their best endeavors, whatsoever it should cost them, the Lord assisting them. And that it cost them something this ensuing history will declare. But after these things they could not long continue in any peaceable condition, but were hunted and persecuted on every side, so as their former afflictions were but as flea-bitings in comparison of these, which now came upon them. For some were taken and clapped up in prison, others had their houses beset and watched night and day, and hardly escaped their hands; and the most were fain to flee and leave their houses and habitations, and the means of their livelihood. Yet these and many other sharper things which afterward befell them, were no other than they looked for, and therefore were the better prepared to bear them by the assistance of God's grace and Spirit. Yet seeing themselves thus molested, and that there was no hope of their continuance there, by a joint consent they resolved to go into the Low Countries, where they heard was freedom of religion for all men; they resolved to get over into Holland as they could. (W. Brad Home Page). Once in Holland, the Pilgrims discovered that religious persecution was being diffused. They picked up once again on another brave journey in search for a land that was seemingly impossible to find: a land of religious freedom.

My definition of the american dream

The American dream that made people leave their homelands in the past only remained a dream because there are people who still have not â€Å"made it† in America. There is something amiss in the ruckus that is about the American Dream. On one side, the American Dream remains a dream wherein the corruption and the apathy of people continues to prevent it from coming true while on the other side, the American Dream comes with too high a price. It asks for the individual’s culture, it torments the person and convinces him into thinking that if you do not assimilate the American culture, you will never make it. For instance, the rules for acceptance are subtle enough to be left out in everyday discussions but for the typical alien who is either yellow or black, the message of â€Å"embrace of efface† resounds like a loud gong. The American Dream will always be a Utopian dream until people realize that material wealth is not the only path for success and happiness. For together with the positive values that the American dram has helped to bring about, there is the common criticism that such dream has ultimately resulted in the rejection of that which connects the â€Å"self† to the â€Å"other.† Just as freedom in America has brought about or permitted massive income inequalities, so did American individualism that resulted from this dream, help to produce an atmosphere of egoism and isolationism, and in more extreme cases, perpetuate poverty, racism, sexism, and self-indulgence. When left unchecked, this can cause disunity among our people. Americans should balance individualism with compassion for others. Peak performers who manifest the great American individualist characteristics start with potential. Yet history is littered with the bones of people who never converted potential into achievement. Inherent talents turn useful only when one examines what is his. One trait that makes the United States great is its inclusiveness. Everything gets taken in, including an interesting state of tension between a yearning for achievement on the one hand and the principles of equality on the other. The American dream is a dream that is obtainable but it all depends on one’s attitude. To illustrate this clearly, in Arthur Miller’s Death of a Salesman, the author uses the scene of Willy with Wagner, which is supposed to be just a short encounter with his boss. But as the scene progresses, the readers cannot help but empathize with Willy’s condition. Willy seems to be really stuck in the past. He brings all the promises of a dead man and counts on that more than his relationship with Howard and what was happening between the two of them at that point (Miller). Can we keep our own dreams alive and not get sabotaged by ourselves or by life? The American Dream promises people from all walks of life and all countries of origin that within this land, there is freedom from oppression, freedom from poverty and material wealth but for other people, it will only remain a dream for them. As Langston Hughes remarks,   â€Å"I am the people, humble, hungry, mean–Hungry yet today despite the dream.†Ã‚   There have been casualties during this fight for the American Dream. The land of the free is still a land of oppression and even though people would like to view it as a land of opportunity, it becomes more like a land of deception and false hopes. Another illustration on this issue is on page 77 of Barlow’s book, Between Fear and Hope: Globalization and Race in the United States, he mentions, â€Å"The global era’s pressure means that an increasing number of Americans feel left out of the social order† saying that â€Å"morbid symptoms especially racism and fear of foreigners have appeared. In short, globalization is producing a crisis in the middle-class social order.† (Barlow, p. 77). I think that more than the pressure of globalization on Americans, it is the use of the U.S. globalization as their tool for world domination that is anxiety-provoking. The US, according to many observers uses globalization to make foreign economies open up their markets such that these can be flooded with US-made cars, clothes, food, even movie stars, such that these foreign markets eagerly consume these products without really knowing who in the end benefits from this game. As the capitalist economy of the United States has survived socialism, many foreign nations are now being deprived of much-needed funds for their own development, and are left dependent on foreign made products, which in turn deplete their own dollar reserves. The result is an extreme polarization of wealth, and the overextension of the gap between the world’s richest and poorest nations. This is so true in the sense that in developing nations such as India, there are truly many customers willing to buy the products of the capitalists.   For instance, on the streets of India, we see many billboards of â€Å"Coke†, or of US cigarettes.   A person who purchases this product rarely has the time to ponder on the fact that part of the revenue made out of that sale enriches these already-rich capitalist nations. Perhaps engaging in nationalist policies such as patronizing one’s own products with a matching awareness and education campaign will help make these people realize that it is time to enrich one’s own country first, before contributing to the economies of others. An opportunity lies here because local manufacturers in developing countries will be forced to do more research and development to produce goods and services that can compete with foreign ones. The American dream and globalization play a very important and significant role in sustaining profitability no matter what the enterprise is or where such is located or how it is doing business.   Reality shows that any business enterprise cannot survive without adopting the competitive global business system through the use of technology. Indeed, cultures collide through trade, and whether or not in the process of trading, technology destroys the native arts and dumps down the societies everywhere. The influences of family norms, religion, or manners and even social practices have large influence in overall assessment of globalization.   Focusing on the markets and determining the available freedom exercised in exploring the marketplace are areas affected by these influences.   It is always best to study the mechanics of how the economy works in the real world. Studies show that the measurement of success in the economy is determined by certain formulas and applied economic principles yet one must also realize that creativity and innovations that originate from non-economic background must also be applied to come up with the right kind of mix. Man’s ingenuity, his analytical mind and logical reasoning must be shared, discussed with others who are into the same exercise so that better solutions to problems are formulated to make the country’s economy work in this rapidly changing world. The American dream has swept the manner in which the U.S. is managed as well as policy decisions that were formulated. Works cited Barlow, Andrew. Between Fear and Hope: Globalization and Race in the United States, 2003. Rowman & Littlefield Publishers, Inc. Miller, Arthur. Death of a Salesman. Hughes, L.   Let America Be America Again. 1938.   Retrieved Jan 2, 2007 at: http://www.poetryconnection.net/poets/Langston_Hughes/2385

Good citizen

The Results of Raising a Child as a Good Citizen As parents, we all would like our youths to cultivate to be accountable citizens and moral people. We want them to sense, ponder, and act with admiration for themselves as well as other people. We want them to hound their own happiness, while also being thoughtful of the necessities and the spirits of others. Just as children are deemed to go to the bathroom, solve basic math concepts, read, write and learn a little about events in history, so must they be channeled in evolving the ssets of citizenship that are cherished by their both their family and community in which they dwell.It is only through support and modeling by considerate grownups, children learn to be truthful and caring, to arise for their moralities, to be concerned about others, to act sensibly and make complete ethical alternatives. The extreme chance on a child being a good citizen in society depends on how well parents mold them. Adolescents who grow up with powerfu l, optimistic standards are better-off and they are good citizens. They are able to stabilize their individual desires and needs versus those of other people and make positive contributions to society.Once characteristics such as respect, responsibility, and resourcefulness has been instilled into children y parents they will cultivate to be good citizens and will be able to show a form of thoughtfulness and compassion towards others. The moral values demonstrated by parents will be portrayed through the child's character. The recompense for inspiring our children's progress is massive. An additional pointer is, f children do not acquire appropriate standards and conduct when they are very young they can encounter a vast amount of problems.These children run into problems that has to deal with education, relationships, personal life, their community, and themselves as a whole. These glitches can burgeon with severe consequences as children grow older†dropping out of school, th e use of drugs an alcohol, teenage pregnancy, violence, crime. These children who encounter this typical lifestyle does not enjoy their childhood so in that scenario they make others ife worst. Instead of them showing good citizenship to society, they are being a threat.There are many characteristics that parents express that evolves to children being good citizens. When parents are open to the differences of a child its shows a form of compassion and show that people have different viewpoints. For example, if a child sees the neighbor with a head wrap on and he or she thinks he looks funny, it's up to the parents to tell the child its apart of that individual culture. Honesty and fairness is also another characteristic.Being honest has to do with being truthful with yourself and others. Fairness is acting in a Just way and making the right decision. When a child is exposed to these traits they will know right from wrong and will never cheat themselves into anything. Last but not le ast, self-discipline is an essential factor in inspiring a child to be a good citizen. When a child has self- discipline, they know that there is a time and place for everything, the know how to act towards certain things or situations.The basic foundation of a child's growth is arents It a lot ot interest is snowed towards the sprouting ot children, chances are that they will be molded into good citizens in society with ethical morals. Characteristics such as compassion, fairness, honesty, and self-discipline, revolves around citizenship. The most essential thing we can do for our children is to assist them in obtaining standards and abilities they can depend on for the rest of their lives. In doing so, they will have the greatest probability of leading good lives as a person and a good citizen of their society.